Gothic Horror fiction is catagorised due to by the features in the stories of; fear, horror, the supernatural and darkness, but also due to
involving characters such as vampires, demons, heroes/heroines and villains.
What differs it to horror fiction is that it contains other
elements such as the a plot based on mystery, romance, lust and dread.
Originating in the late 18th century, this type of fiction
was a sub-category of the larger ‘Romantic Fiction’ movement that wanted to stimulate strong
emotions in the reader, often lust however this adaptation of the writing style
instead focused on the reader relating though fear and apprehension.
The name of the genre is believed to have come from the medieval
architecture often used in the description of the stories settings.
Gothic Horror Subject’s
This style places a strong emphasis on making the audience
understand and feel the atmosphere of the story; it succeeds through using the detailed
setting description and specific adjectives to help build suspense and a sense
of unease in the audience. Commonly stories describe; a supernatural being, family
curses, mystery or madness. Gothic Horror fiction often involves a romantic
plot or subplot, particularly in later tales dating from the Victorian era and
the 20th century.
Although the novel is often considered the best example of
this genre, some poetry and short stories can also be characterised as Gothic Horror.
Times and Places
Modern examples of this type of fiction have continued the
tendency to look to past eras, often using such settings as colonial America,
Victorian England or even as recent as early 20th century to set
short stories in.
This new and more recent use of 20th Century
settings gives, like the medieval period of the 18th and 19th centuries, many
writers the use of the settings to help portray the romanticization and moral
criticism and doubt needed for the genre.
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